There’s a discipline to a roll of 36 that a full memory card doesn’t teach you - you slow down, you actually look before you shoot, and you live with the shots that don’t work out instead of just deleting them. It’s the same instinct that shows up in fencing, or in debugging something without shortcutting to a rewrite: sit with the problem before reacting to it.
This is a placeholder entry for longer-form, non-technical work - film photography, books, fencing, whatever else is worth thinking through in public. More of these once there’s something real to say.